A t the risk of sounding unintentionally patronizing, Leigh Whannell’s Wolf Man gets an “A” for effort. You can see the same mind at work that took the story of The Invisibl

The future of cinema looks pretty exciting when you think about how the horror genre is really thriving with old classic films. The new trend is remakes, which isn’t a bad thing, but the most interesting part is how they’re using this to bring new life to old,

Leigh Whannell tempers the scares in Wolf Man, but ups the family melodrama, offering a tragedy in the classic Universal Monster tradition.

Leigh Whannell did a brilliant job of modernizing "The Invisible Man," but werewolves prove much harder to tame.