Martin Scorsese may have put some previously announced projects like "The Wager" and his long-rumored Frank Sinatra biopic on the back burner, but the prolific auteur has teased another adaptation in the works: bringing Marilynne Robinson's novel "Home" to the screen.

When Martin Scorsese was a child growing up in New York's Little Italy, he would gaze up at the figures he saw around St. Patrick's Old Cathedral. For decades, Scorsese has pondered a project dedicated to the saints.

Even for the most proactive Martin Scorsese completionists, there is always one blind spot in their mission to watch every single one of the iconic director's films. Those who love all his work long to watch Kundun,

The Oscar-winning director, 81, is known for his male-dominated filmography — such as “The Godfather,” “Goodfellas” and “The Irishman.”

The famed director has done a few films in which the story revolves around a female lead, including 1977’s “New York, New York,” starring Liza Minnelli, and the 1974 film “Alice Doesn’t Live Here Anymore,” which won its star, Ellen Burstyn, a best actress Academy Award. The bulk of his movies, however, have been led by male actors.

Speaking to Vanity Fair in a Q&A published on Wednesday, November 13, Kidman, 57, threw some shade Scorsese’s way for his history of writing films centered entirely on male characters. “I’ve always said I want to work with [Martin] Scorsese, if he does a film with women,” said Kidman.

Nicole Kidman called out Martin Scorsese in her latest interview with Variety. The 57-year-old Oscar winner shaded the longtime director in one simple sentence while speaking with Variety for their Hollywood Issue,

Nicole Kidman has cast aspersions on director Martin Scorsese for having only male protagonists in the vast majority of his films. The Oscar-winning actor listed every director she has ever worked with while accepting the American Film Institute's prestigious Life Achievement Award earlier this year.

Nicole Kidman’s comment about Scorsese reflects a broader conversation about the lack of female-driven stories in his filmography.